Um balanço

20 boas razões para ter ido ao cinema em 2006

Little Miss Sunshine, Jonathan Dayton e Valerie Faris
The Departed, de Martin Scorsese
The Queen, de Stephen Frears
L’ Enfant, de Luc e Jean-Pierre Dardenne
Le Temps qui Reste, de François Ozon
The Squid and the Whale, de Noah Baumbach
United 93, de Paul Greengrass
Murderball, de Henry Alex Rubin e Dana Adam Shapiro
Munich, de Steven Spielberg
Syriana, de Stephen Gaghan
Inside Man, de Spike Lee
Hard Candy, de Davis Slade
Good Night, and Good Luck, de George Clooney
Match Point, de Woody Allen
Play, de Alicia Scherson
An Inconvenient Truth, de Davis Guggenheim
The Chumscrubber, de Arie Posin
Happy Endings, de Don Roos
Brokeback Mountain, de Ang Lee
Capote, de Bennett Miller

10 boas razões para colocar seriamente em questão o “Arte” na 7ª

20,13, de Joaquim Leitão
Mary, de Abel Ferrara
Freedomland, de Joe Roth
The DaVinci Code, de Ron Howard
The Omen, de John Moore
Pirates of the Caribbean: Dead Man’s Chest, de Gore Verbinski
Aeon Flux, de Karyn Kasuma
Basic Instinct 2: Risk Addiction, de Michael Caton-Jones
American Dreamz, de Chris Weitz
Hostel, de Eli Roth

5 boas opções de takeaway

Running Scared, de Wayne Kramer
Underworld: Evolution, de Len Wiseman
Wolf Creek, de Greg McLean
Le Petit Lieutenant, de Xavier Beauvois
Grizzly Man, de Werner Herzog